On the Dangers of Taking Smiths Songs too Literally

Sweetness, sweetness, I was only joking…

About a month ago, Steven Morrissey did another thing that made us all realise what an arsehole he is.

morrissey

This time, his comments had to do with Halal meat and London mayor Sadiq Khan, and, as the tweet above so rightly puts it, none of us should have been surprised. Morrissey’s questionable-at-best-downright-toxic-at-worst opinions have been bothering his fans for a while now, and many people are asking themselves whether art can be separated from problematic artist.

The problem is, as far as I see it, all of us went through that Smiths phase. The band wrote the gold standard of anthems for misfit teenagers, and who amongst us didn’t have at least a few months of Doc Martens, t-shirts printed with that Verve album, and vinyls of the Smiths?

The music of the Smiths is an important part of our cultural landscape – even now, thirty-something years after the release of Hatful of Hollow, people still stick This Charming Man on when the party is drying up and listen to Heaven Knows I’m Miserable Now to remind themselves that, no matter how low they feel, they’ll never be as blue as Steven Morrissey.

We all lost a bit of faith in him after he wrote that dire book, but, nonetheless, Morrissey’s lyrics are part of our consciousness. How else do you explain the upward trend of vegetarianism?

Sure, some of the things he wrote are just true – belligerent ghouls do run Manchester schools – but I’m hopeful that as Morrissey the man reveals his true colours, I’ll be able to reassess some of the weirder poetry I’ve been subconsciously living by.

What does “hand in glove” even mean, anyway…?

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